The Absence of Joy
“Joy….Joy…?”
The teacher called from the front of the room
With no response, she finally looks up.
The students blink blankly back
Like cursors on a computer screen.
She filled in a bubble.
Joy was absent.
The Absence of Joy
“Joy….Joy…?”
The teacher called from the front of the room
With no response, she finally looks up.
The students blink blankly back
Like cursors on a computer screen.
She filled in a bubble.
Joy was absent.
I do not have time to write this blog post. Which means I’m writing it on the D line, and it’s rush hour, so I’m writing on my cell phone with just my right thumb while I cling onto the rail with my left. One never does her best writing on the subway. One-thumbed writing is hasty, filled with run on sentences and typos that people privately message me about after my blog is posted.
I like to start each new school year with a game. It’s called “Yes” and it involves students standing in a circle, asking for permission to move across the circle and take someone’s place. It’s a cycle of saying “yes” and my hope is that the idea of assent carries over to discussion. As the players improve at the game, I up the intensity. I have students toss a heavy, imaginary bowling ball across the circle. They practice saying yes by catching the imaginary bowling ball in a way that suggests that they’ve “yessed” its imaginary weight. Then we blow a feather across the circle while the bowling ball is circulating, and finally I pull a “lizard” from my pocket and send it scampering to a classmate.
To the Graduating Class of NEST+m,
I like to put the cap of a pen back on after I’ve written something decisive. Similarly, I’d like to put a cap on this year, something tidy to end a decisive year of discovery. But I’m finding that “tidy” just won’t do. There was nothing TIDY about this year of English, yours or mine. This year might have looked like a cursive sentence written by a third grader. Messy, sure, but a finished product that someone could be proud of.
There’s something completely irresolute about finals week; as such, unless explicitly directed, I avoid giving final exams. Instead, I like to leave my students thinking about the final chapter of their high school career with something less final and more… open-ended, more upbeat. I want my students to leave my literature class thinking about morals and the self–because, at least for me, that’s what literature actually is–words that express morals and self, and those concepts can’t really be tested by an end of year exam.
Dear Seniors of 2015,
I need to make a tiny confession. You were already winners before the contest began, and you’ll continue to be winners long after it’s over.
I need to make another confession: I’ve been manipulating you to think that I am “The Keeper of the Words.” And yet, I struggle too–just like you–when faced with a prompt. And today, the cursor blinks patronizingly as I try to answer the prompt instructing me that somehow I must “Say Goodbye.”
I’m older than you, and by extension “wiser,” and I’ve got your captive attention for probably eight more seconds, so allow me a moment to share the thesis that you, your wisdom, and the time we have shared together has helped me to articulate.
Today I submitted my official letter of resignation from Timpview High School, but I forgot to sign it. I marched down to the main office, letter folded crisply, neatly–decisively. I handed over my letter to Michelle, the kindly office secretary, with resolve and explained that it hadn’t been an easy choice, “but I really can’t pass an opportunity like this up.”
It’s my prep period. My desk is overflowing with an alarming amount of grading that I’ve procrastinated and resented. I need to plan two separate lessons for tomorrow, and I carry with my no small cloud of stress with me at any given time. So prep periods are sacred, stress relieving times where teacher gets to play catch up.
But I have to stop, ignore the pile and swipe away my stress cloud, so I can record what just happened in my classroom. I’ve never had more fun in my class than I had just now.
I liked walking on the grates in the sidewalks in New York, and once I realized this, I instantly began searching for ways to make this observation into a metaphor: walking with a world beneath me, walking on top of shaky foundation? Nothing really fit, so I gave up and let it be simple:
I liked walking on the grates in the sidewalks. I liked sliding my fingers along the stone of the building next to me. I liked looking up, but I liked looking down too. I grew to appreciate my humidity hair.
It’s hard to verbalize what it is about the city that spoke to me so much. Maybe it was the creaking of the train or the hum of an intersection. Maybe it was the smell of bagels and cronuts and giant sticks of lamb rotating in a street cart. Or perhaps it was the subtle joy of meeting and visiting your soul people.
It must be acknowledged: Sometimes teaching sucks. Sometimes the amount of your paycheck represents only 1/10 of your ink, sweat, and tears. Sometimes students are mean, and sometimes they are manipulative. Sometimes (all the time) you work through lunch and sometimes (too many times) the students never seem to learn. Sometimes teaching sucks.
(Yes, I do need to cool it with the anaphora. Find a new literary device, Penrod, sheesh).
To be frank, most teachers have that period of the day that doesn’t jive like the others. That class period of hell filled with (individually lovely but compositely grumpy) students that simply refuse to think that what you are teaching them is worth anything. That hour of the day that not only reminds you that sometimes teaching sucks, but ensures that it does.
And then there are Michael Rudins* that wash away the sins of “Nth Period” in one fell swoop. In one fell binder full of ink and sweat.
I try not to write about individual students very often. I do this for a couple of reasons.
He is shy. I do not identify with shyness. I am not shy. But for some reason, I love my shy students. It’s perhaps an unfair generalization, but I am fascinated by their untapped depths.
Michael Rudin is shy, but not quiet. Throughout the year, whenever I called on him, he always surprised me with ready, boldly stated, poetically worded responses.
I was briefly out of the classroom today when a ragged binder and a Dr. Pepper appeared on my desk. As I thumbed through the pages (some pages earmarked) of my desk’s new arrival, I found “Youthful Thoughts: the Complete Works of Michael Rudin.” A binder full of poetry and short stories, of secret, untapped depths collected over the years.
To me, this is Michael Rudin carefully sifting through his poems, deliberating, deciding, and changing his mind. This is Michael Rudin, in a quiet, pensive moment, unsure whether or not this poem was a good enough representation of himself. This is Michael Rudin folding and then unfolding an earmark. This to me, is a moment of tenderness, of attention to detail. This is a moment of care.
I am not sure why I am so taken by this unearmarked corner, but the corner itself is poetry to me. Because it speaks.
I hope forever these students, not my students anymore, but these continuing students continue to speak boldly, quietly, articulately, and joyfully.